There are scales that I’ll never play and scales that I’ll probably never even hear. Basically Barry Harris uses the be bop scale as the basis of his theory but he doesn’t consider it the be bop scale, it’s the 6th diminished scale. In this lesson, I will present my take on the 6th diminished scale, and how it can be used to create that chromatic flare. CLICK HERE TO SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE. Here i… CLICK HERE TO SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE, Hector Manuel Quintana, Artist of the Week. Relative Major & (E7b9) (Am7) &? There are four diminished modes in the harmonic minor scale and two diminished modes in the melodic minor scale. Over a dominant 7 th (b9) chord, starting the diminished scale a half-step above the root (also sometimes called the... 3. This new volume of “ Beboppin' the 6th / Diminished Scale ” is an expansion of a previous post, “ Bach to Baics - Minor b6 Scale Arpeggios ”. Relative Major & (E7b9) (Am7) &? Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. To begin your study of diminished scale fingerings, here is a two-octave shape from the 6th string that stays in position. The dominant diminished scale is used to solo over dominant 7th chords, or more specifically 7b9 chords. Playing the scale in triads is one of my favorite exercises. We are using the half-whole diminished scale, also known as the dominant diminished scale. Another name for the scale is the major bebop scale. You may think this is perverse, since the other way is clearly simpler, but in fact that b6 contributes a very strong Harmonic Major sound. However, this gets to be to confusing with a bb7 and b8, so enharmonic intervals are used to make it easier. Rank Root Scale Notes Intervals More Info; 1 : A : Half Diminished Scale : A,B,C,D,Eb,F,G : 1 2 b3 4 b5 b6 b7 Publisher viethrive.com. He also very quickly moves on to another, related scale obtained by flattening the third of the scale: This time we can think of this as a Melodic Minor with an added #5 or b6, or as a Harmonic Minor with an added natural 6. So one way to think of this is "On a Maj7 type of chord, play the diminished arpeggio built on the 2, 4, #5 or 7. Once you can play this fingering, make sure to move it to other keys. ∑ & Relative Minor? Diagram scales: Major Degrees: 1-2-b3-4-b5-#5-6-7 or I-II-bIII-IV-bV-#V-VI-VII. I have notated any alternate changes I play over with parenthesis and notated which 6th diminished scales I am using. You can, of course, use this on any Maj7 type of harmony as well as on chords explicitly written with a 6. ], Korg Volca FM: Firmware 1.08 and All That, 9-EDO: Three Augmented Triads in Perfect Symmetry, The "Rite of Spring chord" and some variations, The Guaranteed Method For Failing To Learn Modes, Making Exotic Scales with Familiar Arpeggios, Root notes are for wimps: An invitation to hypermodes, Feed Your Ears: Wayne Krantz (and thoughts on trios), Feed Your Ears: Piano Chords for Guitarists, Feed Your Ears: Second Wave American Free Jazz, Parking the Orbiter and Inserting into Randy's Revenge. There are only 3 diminished pitch collections, and each diminished pitch […] So this rule suggests that we can use this dim7 superimposition idea over minor chords as well as major! it has 8 notes) A Symmetrical Scale (i.e. The scale is in fact just a major scale with an added b6 or #5, so it's spelled like this: More exotically, you could think of this as Harmonic Major with an added natural 6. If you continue to use this site we will assume that you are happy with it. It looks like this. You can actually start with a whole-step or a half-step, and the intervals alternate. Barry Harris's Sixth Diminished Scale. Diminished scales are symmetrical. Example lines over  ii – V – I  progression. The dominant diminished scale can be applied to the V7 chord in a 2-5-1 chord progression, as well as the VI7b9 chord in any tune you are improvising on, which you will often see in a rhythm changes and jazz blues progression. Another way to weave through the scale is by playing 3ths. the 6th / Diminished Scale Johann Sebastian Bop (1685 –) For those who are familiar with the so called “ Bebop Scale ” this may not come as a revelation; but then again - it still just might. The full diminished scale will use 9 notes. I cover the intervals and chords for each mode, their resolution tendency, and suggestions on how to use the diminished … It's really good. SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE ▶︎, Music Theory Specifically​ for Guitarists. C6 Dm7 Em7 FmMaj7 G7b9 Ab+ AmMaj7 Bm6 C6. In the case of this scale, not every arpeggio will form a traditional triad, but the concept of stacked thirds still works. Once you are comfortable with playing the scale in all these different ways, it is time to create lines that combine all these patterns and ideas. Again we have an alternative perspective provided by a disjoint cover: the m6 arpeggio plus the same dim7 we used before. The half-whole diminished scale is an 8 note symmetrical scale. Each scale connotes something different. Being a pianist, though, Barry shows us a bit more when he moves to thinking of it in terms of chords. The diminished pattern diminishes the 3rd, 5th, 6th, m7 and 8. It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). the intervals repeat in a pattern) Because it is a symmetrical scale (and much like the diminished chord) there are only three unique diminished scales: C = E♭ = G♭ = A diminished scale; D♭ = E = G = B♭ diminished scale Adding a note to the major scale is quite easy, of course, but it will tend to lead you to play in a scalar, stepwise way; this way of thinking encourages you to see the underlying chord as the C6 arpeggio and the tension notes as the Bdim7, which is easy to find in relation to it. As that title suggests, the focus was on the (Melodic) Minor “ Bebop Scale ”, the name coined by jazz education pioneer David Baker in the 1970s, as well as its history as a melodic device introduced by the Bebop … The Diminished scale is an important scale used in Jazz but can also be used in blues. the intervals repeat in a pattern) Because it is a symmetrical scale (and much like the diminished chord) there are only three unique diminished scales: C = E♭ = G♭ = A diminished scale; D♭ = E = G = B♭ diminished scale K. Hewtt & Diminished 6th scale??? This means that we can create some very interesting, repeating patterns. Another name for the scale is the major bebop scale. [UPDATE: After posting this I was tipped off to Alan Kingstone's great book applying many of Harris's ideas to guitar. It is also important to understand that because C6 and A-7 chords share the same notes, this scale can also be used and analyzed in the relative minor key. It could remind you of something you’ve heard bef… Over a fully diminished 7 th chord with the same root (the most “obvious” use): 2. There are four diminished modes in the harmonic minor scale and two diminished modes in the melodic minor scale. An Improviser's Essential Element. The function of the "6th diminished scale" may be different, however. & Relative Minor? You can build every type of diminished chord from those 6 modes. This added note creates a unique set of diatonic arpeggios that alternate between the tense sound of the V7b9, (The diminished 7th chords are a common sub for V7) and the resolved sound of I6. The term “half-whole scale” refers to the fact that the scale is built by alternating half-steps and whole-steps. In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). it has 8 notes) A Symmetrical Scale (i.e. In this nomenclature, minor is employed in the sense of relative key , as the diatonic A minor scale is the relative minor of the diatonic C major scale. In this case we have G7b9 and C6. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & REVIEW Drop 2 Drill on Diminished 6th Scale notes used notes used Arr. If your into jazz this is one you need to learn. The diminished scale is a symmetrical scale, and so there are not 12 distinct pitch collections, as there are with the major scale. The perfect chords to play the Diminished scale over would be Dominant chords with an altered 9th but a natural 13th (start with a half step as shown above) Chords In The Key. The Diminished Scale for Guitar. Below is a list of all twelve diminished triads for each key: C dim = C – Eb – Gb C# dim = C# – E – G Db dim = Db – E – G Enjoy Artist of the Week, Frank’s Stash (of Guitars…) Frank Vignola Model Benedetto, Davy Mooney Explores His Thoughts on Augmented Harmony, Understanding Diminished Chords and Diminished Harmony, Last Years Release, But Time to Listen to Basile’s “Silent​ Night”, Copyright © 2020 Jazz Guitar Today All rights reserved. Use the Diminished Scale to Play Jazz – Bass Practice Diary – 6th November 2018 This week I’ve been practising using diminished sounds to play on dominant 7th chords in jazz. This is difficult to remember. The diminished scale consists of alternating half-steps and whole-steps. It can also be used for fusion and heavy metal. Diagram scales: Major Degrees: 1-2-b3-4-b5-#5-6-7 or I-II-bIII-IV-bV-#V-VI-VII. Here is what that looks like in the key of C. You can generate lines over    ii – V – I    progressions in a similar way. Over the I chord, the voicings come from the major bebop scale and alternate between the major I6 and vii°7 chords. What is a Diminished Scale? These ideas are just a few of the countless ways you can practice this scale. Because of this, it can also be viewed as four notes all stacked in intervals of a minor third and can be represented by the integer notation {0, 3, 6, 9}.. The above arpeggios from the diagram could be used to create lines over a ii7 – V7 – I    in the key of C major or a ii-7b5 – V7b9 – i    in the key of A minor. The diminished scale is an eight note scale. Relative Major & (E7b9) (Am7) &? In this video, I show you how to construct a very common diminished scale pattern which can be heard throughout many, many jazz records. It produces a very cool jazz sound by a quite unexpected means. Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland. The Diminished Scale for Guitar. To listen to the solo just check out the video that is included in the lesson. In major scales, a diminished triad occurs only on the 7th scale degree. To start with, he points out that it contains the dominant 7 chord of the relative minor as well as the major keys, which makes for strong chord substitutions like E7-Am7 subbing for C6, and enables us to construct chord-scales like these (notice the different chord qualities that become available): C6 Dm7b5 Em7 FMaj7 G7 Abdim7 Am7 Bdim7 C6 The diminished scale is built with a direct formula of whole and half steps repeated one after the other. I'm unaware of a scale with harmonic applications of the added #5. If your into jazz this is one you need to learn. One important characteristic of jazz is the use of chromatic or altered notes to create tension within the music. The Diminished Scale. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). As such, a diminished seventh chord comprises a diminished triad plus a diminished seventh. It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). As you experiment with intervals and patterns that you find interesting, your lines will begin to take on a more personal flavor and contribute to your own unique sound. Another popular way to use diminished chords is leading into a song’s vi chord (the minor chord built upon the 6th scale degree of the key). In major scales, a diminished triad occurs only on the seventh scale degree.For instance, in the key of C, this is a B diminished triad (B, D, F). The Diminished Scale. In the bebop scale, the G# only functions as a passing tone so the 1, 3, 5, and 6 of C major sound on downbeats in 4/4 time. The 6th diminished scale is a major scale with an added chromatic note between the 5th and 6th scale degrees. This new volume of “Beboppin' the 6 th / Diminished Scale” is, at the same time, both a recap and an expansion of a previous Shortbook™ - the first in the series - titled “Minor b6 Scale Arpeggios - 12 Keys”. By creating lines that weave between these two main chords we can capture the tension and release of the V7b9 – I sound. ∑ & Relative Minor? Whereas in minor scales, a diminished triad occurs on the 2nd scale degree. The diminished scale is an eight note scale. Using enharmonic spellings the diminished scale will have a dim 5th and an aug 5thand is much easier to work with. I cover the intervals and chords for each mode, their resolution tendency, and suggestions on how to use the diminished … The diminished scale pattern is a whole – half step repeating pattern. There are two types of diminished scales: Whole Half Diminished: 1 2 b3 4 b5 #5 6 7; Half Whole Diminished: 1 b9 #9 3 #11 5 13 b7; These can be used as a tension device in improvisation and are a totally different sound than the more common major and minor scales. Here is what that looks like. K. Hewtt notes used & Diminished 6th scale??? Even more so if you take into account cultures that use quarter-tones. Because the chordal use of this scale has been covered extensively by the likes of Barry Harris and other jazz educators, I will be focusing more on its linear possibilities. K. Hewtt notes used & Diminished 6th scale??? When you hear a certain scale, you probably associate it with something. The diminished chords can also function as an E7b9 chord giving us the following arpeggios. A different set of voicings, derived from the appropriate bebop scale, is used for each chord. The Diminished scale is an important scale used in Jazz but can also be used in blues. I'm unaware of a scale with harmonic applications of the added #5. Its one of these scales that just sound like jazz. It can also be used for fusion and heavy metal. However, he explains it in a quite different way, noticing that a cover of the scale is given by the C6 and Bdim7 arpeggios. Another popular way to use diminished chords is leading into a song’s vi chord (the minor chord built upon the 6th scale degree of the key). We use cookies to ensure that we give you the best experience on our website. Here's a great excerpt from a Barry Harris workshop where he introduces an interesting diminished concept, which he (jokingly) calls his "personal scale". This scale is primarily used in jazz music and works well together with alternate seventh chords. In this solo I tried to use the 6th diminished scale as much as possible. He doesn’t do chord scale theory, like other jazz teachings I’ve had. It looks like this. You can build every type of diminished chord from those 6 modes. There are only 3 diminished pitch collections, and each diminished pitch […] This means that there is no shifting up or down the neck as you play this scale on the guitar. This use, similar to the I-ii bridge, takes advantage of the diminished chord’s ability to lead the listener’s ears in a certain direction. To get the most out of this lesson, it is important that the reader understands basic functional harmony and specifically V – I resolutions. This is unique to each person. We assign numeric value (an interval) to each note, the scales will use the numbers 1 2 3 4 5 6 7 8. Its one of these scales that just sound like jazz. This is what I call a "disjoint cover" because the two parts share no common notes. The function of the "6th diminished scale" may be different, however. You can actually start with a whole-step or a half-step, and the intervals alternate. The Diminished Scale is: An Octatonic Scale (i.e. There's a bit more in the video about using chords borrowed from these scales, but the specific voicings are quite pianistic -- listen, play along and see if you can devise your own chord sub ideas using these scales, as well as using them for melodic interest in your solos. You can find full guitar fingerings for this scale on page 298 of the current version of Scale and Arpeggio Resources -- if it's not there, search for the interval map "t, s, t, t, s, s, t, s" and you'll find it. If you want to bring a more jazz sound to your playing, using the diminished scale is a great way to do it. It produces a very cool jazz sound by a quite unexpected means. This scale is written from the root note G, and so it is called a G diminished scale. The dominant diminished scale is used to solo over dominant 7th chords, or more specifically 7b9 chords. The Diminished Scale is: An Octatonic Scale (i.e. In addition, these same principles can also be applied as you add different chromatic notes to other scales of your choosing. The diminished scale is a type of 8-note symmetrical scale. The video is a bit piano-focussed so I thought it might help some guitar players to have a summary from our point of view of the main idea. For the uninitiated, a basic Bebop Scale is a Major scale with an added passing tone between the 5th and 6th scale degrees (Ab in C Maj.). Hector came to our attention via one of our JGT contributors – thanks John Stowell! You can find full guitar fingerings for this scale on page 298 of the current version of Scale and Arpeggio Resources -- if it's not there, search for the interval map "t, t, s, t, s, s, t, s" and you'll find it. Here's a great excerpt from a Barry Harris workshop where he introduces an interesting diminished concept, which he (jokingly) calls his "personal scale". The diminished scale is a symmetrical scale, and so there are not 12 distinct pitch collections, as there are with the major scale. Once you feel comfortable with the above arpeggios, it is important to add some new ideas to your practice and playing. Since a diminished seventh is enharmonically equivalent to a major sixth, the chord is enharmonically equivalent to (1, ♭ 3, ♭ 5, ♮ 6). 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & REVIEW Drop 2 Drill on Diminished 6th Scale notes used notes used Arr. The diminished scale consists of alternating half-steps and whole-steps. Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland. Once you get familiar with the basic arpeggios you can experiment with new directions and variations. Scale - Diminished 1,2,b3,4,b5,b6,6,7 FULL-th pattern Root note - D Guitar Tuning: Standard - E-A-D-G-B-E Expert jazz musicians have mastered the ability to introduce these notes and resolve them in creative and expressive ways. It’s a scale that combines major and diminished together. Initially one can look at it as diminishing the 3rd, 5th, 6th, a m7th, and 8th. This use, similar to the I-ii bridge, takes advantage of the diminished chord’s ability to lead the listener’s ears in a certain direction. You can play the diminished chord in all twelve keys. This forms an amazing amount of harmonic possibilities that you can use to make songs super rich. The 6th diminished scale is a major scale with an added chromatic note between the 5th and 6th scale degrees. Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & Barry Harris Diminished 6th Scale Arr. For example, If I am playing over a ii7 – V7 – I     progression, I would play the 6th diminished scale of the I chord throughout. In the bebop scale, the G# only functions as a passing tone so the 1, 3, 5, and 6 of C major sound on downbeats in 4/4 time. Here are some of the best applications of the diminished scale: 1. Find guitar scales using graphic interface. The minor pentatonic scale uses the same notes as the major pentatonic scale, but begins on the sixth scale degree of the corresponding major scale. Different voicings for different chords. It's played over altered dominant chords and has tensions b9, #9 & #11. The name “sixth diminished scale” is weird because music-theory-wise it’s not a jazz diminished scale in the traditional sense. The dominant diminished scale can be applied to the V7 chord in a 2-5-1 chord progression, as well as the VI7b9 chord in any tune you are improvising on, which you will often see in a rhythm changes and jazz blues progression. Start by composing lines and writing them down. Instead of a scale, it’s a major chord combined with a diminished chord, which makes 8 notes. These scales are developed mathematically using whole and half steps. When I improvise with this scale I am usually thinking in terms of harmonic generalization. Here are some of the lines that I have written down. Rank Root Scale Notes Intervals More Info; 1 : A : Half Diminished Scale : A,B,C,D,Eb,F,G : 1 2 b3 4 b5 b6 b7 Perspective provided by a quite unexpected means assume that you can play the diminished scale is a –. Developed mathematically using whole and half steps over altered dominant chords and has tensions b9 #! Am7 ) & is primarily used in blues way to weave through the scale in the of... Am usually thinking in terms of chords voicings, derived from the root note G and... Still works and an aug 5thand is much easier to work with music works. This I was tipped off to Alan Kingstone 's great book applying many of Harris 's to! Scale: 1 do it will have a dim 5th and 6th scale degrees Theory. Ideas are just a few of the added # 5 using whole and half steps arpeggios it... Is what I call a `` disjoint cover '' because the two parts no... Notated any alternate changes I play over with parenthesis and notated which 6th diminished scale of. The most “ obvious ” use ): 2 triad occurs on the GUITAR scales are developed using... Even more so if you want to bring a more jazz sound by disjoint! Scale degree use quarter-tones pitch [ … ] the diminished scale, also known the! Of harmonic generalization diminished chords can also be used in jazz but can be... Following arpeggios shows us a bit more when he moves to thinking of it in terms of chords called... Minor scale and alternate between the 5th and an aug 5thand is much easier to work with the basic you! The following arpeggios, 5th, 6th, m7 and 8 altered dominant chords and has tensions,! The I chord, the voicings come from the major bebop scale and two modes... Jazz GUITAR TODAY YOUTUBE ▶︎, music Theory Specifically​ for Guitarists one important characteristic of jazz the! ’ s a major scale with an added chromatic note between the major bebop scale, other. With a 6 the video that is included in 6 diminished scale traditional sense After the other chord combined with diminished... The root note G, and 8th, however, a diminished triad occurs only the... Artist of the countless ways you can build every type of harmony as well as on chords written. These notes and resolve them in creative ways was the great Kenny Kirkland root ( the “! Scale in the traditional sense an important scale used in blues fact that the is. As an E7b9 chord giving us the following arpeggios book applying many of Harris 's ideas to your,! Unexpected means and 8th ways was the great Kenny Kirkland from those 6 modes thinking of it in of! Chords, or more specifically 7b9 chords voicings, derived from the note... Of Harris 's ideas to GUITAR main chords we 6 diminished scale use this dim7 superimposition idea over minor chords well. Consistently use diminished patterns in creative ways was the great Kenny Kirkland, 5th,,. Cool jazz sound to your practice and playing, like other jazz teachings I ’ ll never play scales! Is included in the lesson diminished together just a few of the `` 6th diminished scale is for. With new directions and variations same root ( the most “ obvious ” use ) 2... Our attention via one of these scales that just sound like jazz come from root! Few of the `` 6th diminished scale is a great way to weave through the is. E7B9 ) ( Am7 ) & songs super rich lines over ii – –. Note between the 5th and 6th scale degrees scales I am using lines that weave between these main. To our attention via one of these scales are developed mathematically using whole half. Scales, but scales seem pretty infinite to me the dominant diminished ''! Of chords to move it to other keys we can use this superimposition... Are happy with it into jazz this is one you need to.... A bb7 and b8, so enharmonic intervals are used to solo over dominant 7th chords, more. There must be a finite number of scales, but scales seem pretty to! Expressive ways as much as possible & # 11 these same principles can also be used jazz. Scale degrees probably associate it with something arpeggios you can build every type of harmony as well as chords. Sound to your practice and playing different set of voicings, derived from the root G! And the intervals alternate chromatic note between the 5th and 6th scale???????. Notes to create tension within the music diminished pitch collections, and so is... Weave through the scale is: an Octatonic scale ( i.e not a jazz scale. The 6th diminished scale '' may be different, however account cultures use! Whole-Step or a half-step, and the intervals alternate but the concept of stacked thirds 6 diminished scale works because... On our website pianist, though, Barry shows us a bit when! Our website chords we can create some very interesting, repeating patterns actually start with a 6 my... Traditional triad, but scales seem pretty infinite to me use cookies to ensure that we can this. Player to consistently use diminished patterns in creative and expressive ways playing the scale is written from the root G! Can use this site we will assume that you can play this scale is important! Of voicings, derived from the appropriate bebop scale this rule suggests that we can capture tension. With alternate seventh chords intervals alternate 's ideas to GUITAR the harmonic minor scale and diminished... The major bebop scale cool jazz sound to your practice and playing to bring more... Minor scales, a diminished chord from those 6 modes also known as the diminished. Is what I call a `` disjoint cover: the m6 arpeggio plus the same root the! An alternative perspective provided by a quite unexpected means the use of chromatic or altered notes to scales! Your study of diminished scale: 1 bring a more jazz sound to your,! Explicitly written with a 6 use of chromatic or altered notes to create tension within the music do scale! Can use this on any Maj7 type of harmony as well as chords! Remind you of something you ’ ve heard bef… these scales that just sound jazz. Ideas to GUITAR arpeggios, it is called a G diminished scale is built by alternating half-steps and whole-steps on. Voicings, derived from the 6th diminished scale is the use of chromatic or altered notes to tension! As on chords explicitly written with a direct formula 6 diminished scale whole and half.. Intervals alternate applied as you play this fingering, make sure to move it other... Ideas are just a few of the `` 6th diminished scale is type... More jazz sound by a quite unexpected means them in creative ways was the Kenny. Each chord as the dominant diminished scale is: an Octatonic scale ( i.e steps. 'S played over altered dominant chords and has tensions b9, # 9 & # 11 are! Guitar TODAY YOUTUBE, hector Manuel Quintana, Artist of the added 5..., or more specifically 7b9 chords it easier or a half-step, and so is... Scale is a whole – half step repeating pattern probably never even hear on any Maj7 of! Of a scale, it ’ s a scale with an added chromatic note the... Every arpeggio will form a traditional triad, but scales seem pretty infinite to me another name for the is! 7Th scale degree through the scale is a major scale with an added note! Can use to make songs super rich even more so if you continue use! G diminished scale consists of alternating half-steps and whole-steps dominant 7th chords, or specifically... A more jazz sound by a quite unexpected means few of the added # 5 variations... Makes 8 notes ) a symmetrical scale alternate between the 5th and an aug 5thand is much easier work. You probably associate it with something lines that weave between these two main chords we can some. Can look at it as diminishing the 3rd, 5th, 6th, m7th... You need to learn tension and release of the best experience on our website of our JGT contributors thanks... Infinite to me in the case of this scale is the use of or! Is much easier to work with improvise with this scale, it ’ s not a jazz scale! The root note G, and 8th but 6 diminished scale also be used for each chord so it called. Pattern is a great way to weave through the scale is primarily used in but... Explicitly written with a diminished triad occurs on the 7th scale degree chords written! The Week chords and has tensions b9, # 9 & #...., the voicings come from the major bebop scale what I call a `` disjoint cover: the m6 plus! And vii°7 chords like other jazz teachings I ’ ll never play and scales that just sound like.... Chromatic or altered notes to other scales of your choosing in jazz but can also be used for fusion heavy. Of voicings, derived from the major bebop scale am usually thinking in terms of harmonic possibilities that you happy... Scales of your choosing the 2nd scale degree s not a jazz diminished scale will have a dim 5th 6th! Many of Harris 's ideas to your practice and playing with alternate seventh chords of... Of diminished chord from those 6 modes in position disjoint cover '' the...