The altered scale. The whole tone scale is very easy to play , but it’s not always an easy scale to place in your music. The Whole Tone Scale consists of note a whole step apart. It is not the most widely used scale in everyday popular music but you can get some nice chords and riffs from the scale. Read my article Chords From Scales for a list of all the 7#5 and 7♭5 chords. 5 and 6 Note Chords: C9b5 C9#5 D9b5 D9#5 E9b5 E9#5 F#9b5 F#9#5 G#9b5 G#9#5 A#9b5 A#9#5 C9#5\E Scales Equivalent to C whole tone : D whole tone ; E whole tone ; F#/Gb whole tone ; G#/Ab whole tone ; A#/Bb whole tone ; The whole tone scale is a symmetrical scale which means the intervals that make up the scale have a pattern that repeats. A major scale is formed with the formula W-W-H-W-W-W-H. My favorite closed 9#5 chords are #1 & #3. All open chords for every chord type in every key. All PayPal contributions are greatly appreciated! The whole tone scale is the only scale that will yield a dominant 9th chord with and raised 5th as in C9#5. that will help you learn how to move freely on the neck and play any chord you want in any The 9♭5 can also be built on the 4th degree of the melodic minor scale. tutorial. The aug triad and 7#5 chords are mostly used in place of the V chord. C Whole Tone Scale Chord Diagram - What are Chords 4. #6 7♭5 is kind of a repeat of #4, and for #8 it’s tricky making sure th open G string doesn’t ring out. Here are the augmented chords that can be built on the note C from a C whole tone scale: D: D+, D7#5, D9#5 Now that you have learned four fingerings for the whole tone scale, and four different scale patterns to work with those fingerings, let’s move on to studying this scale in a musical situation by working out the three jazz guitar licks below.The first lick uses the G whole tone scale to solo over a G7#5 chord, the most direct application of this scale in a soloing situation. #4) You can use the scale over dominant 7ths and the 7alt chords mentioned above starting on any scale degree assuming there is not a ♭9 or #9 in the chord. Note that the 9#5 chord is equal to the 9♭5hord on the ♭7, e.g. E: E7♭5, E9b5, E9♭5♭13 4) The closed 9♭5♭13 closed chord is difficult to hold but it sounds amazing! If you ask most educators or look in a number of jazz theory books, they will tell you to play an “altered scale” over this chord. A: Much of what goes into deciding what scale to use over any given chord is all about the context (what chords are surrounding it, how is it functioning harmonically, etc.) 1) I marked the 1 and the ♭5 of the 7♭5 chords as root notes since they both are\can be the root of the chord. Most people think of using the whole tone scale for augmented chords, but you can build 7♭5 chords from the whole tone scale as well. are getting bigger every day, so, to keep the site free for everybody, I'm C9#5 = B♭9♭5. Last but not least there is the 9♭5♭13 chord which is an interesting chord that I came up with by adding every note of the whole tone scale. 7♭5 chords are unique because their 2nd inversion equals another 7♭5 chord built on the ♭5, e.g. Take a listen to the video below, at 4:54 Freddie begins his solo by creatively using the altered scale: Stevie Wonder: If You Really Love Me, My Cherie Amour, Send One Your Love To learn more about scales, check our complete guide on How to play guitar That’s some weird stuff. E Whole Tone for guitar. positions, a handy visual chord formula table, and the tones fretboard The scale is defined with the intervals of 1-2-3-#4-#5-♭7, but I prefer 1-2-3-♭5-#5-♭7. Both augmented and major flat 5 chords (dominant 7 flat 5 chord or just 7♭5) can be built from the notes of the whole tone scale. Since it has every note in the whole tone scale, there can only be 2 of them: C & D♭. So, the whole tone scale can be played over a dominant 7 th or 9 th chord with a sharp five and sharp eleven. The scale formula is W-W-W-W-W where “W” stands for whole tone. I have 13 total closed 7♭5 voicings and 7 open E 7♭5 chords built from this scale. The scale formula is W-W-W-W-W where “W” stands for whole tone. Minor scales – do use use dorian? This scale is a combination of a diminished scale and a whole-tone scale. If you need help in reading the diagrams on … in notation, with scale degrees: The notes that give this scale its unique sound are b9, #9, b5 and 13. Now I’ve never seen the 9♭5♭13 chord mentioned anywhere, though I’m willing to bet piano players stack the whole tone scale to play all 6 notes (1-3-♭5-♭7-9-♭13). I used some of his licks and made some tweaks of my own. Every note in the whole tone scale can act as the tonic of the scale. On this page, you find several fretboard diagrams for the Whole-Tone scale, with box and 3 notes per string patterns. B♭ (or A#): B♭+, B♭7#5, B♭9#5. G Wholetone Chord = G7#5 (G B D# F) C Wholetone Chord = C7#5 (C E G# B♭) But the scale can be used over any V7 Chord. A C# augmented chord, C# – F – A, would take the C# whole tone scale. That article also includes the 70+ chord types I have voicings for and part of the reason I named my site Every Guitar Chord! incredibly helpful I do not have any chord voicings for the maj ♭5 chord because I don’t see the need for it (I don’t see it as a valid chord). For example: Chord Prog. The harmonic spelling of the notes is not important. I mentioned that there were two applications of the Whole Tone scale, and we've really only looked at one, its use over a dominant chord. 3) #2 of the 9♭5 is pretty difficult to hold so #1, #3 and #4 are better options. That is why I’ll be using the notes C, D, E, G♭, G# & B♭ when covering the C whole tone scale. You'll find more than 800 chord voicings You can also build the 7#5 chord on the tonic of the altered scale and the 5th degree of the melodic minor scale. Dm7. To me its a interesting scale that should be used sparingly for variety in your playing. You will discover that there are only two whole tone fingering patterns to learn. I suggest that the major ♭5 chord is the base of 7♭5 chords. Whole-tone scale, in music, a scalar arrangement of pitches, each separated from the next by a whole-tone step (or whole step), in contradistinction to the chromatic scale (consisting entirely of half steps, also called semitones) and the various diatonic scales, such as the major and minor scales (which are different arrangements of whole and half steps). The pattern for a whole-tone scale is easy to remember because it consists only of whole-steps (W): music for Let ’ s look at the augmented triad, an augmented triad, an augmented 7th chord, #... 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